Description: Figure permanently mounted on round footed base, intended to be covered with a glass dome. Top of base is a 3/4 inch diameter inner-ground of fine sand. Heron has cast lead legs and feet, lead-strip crest feathers, glass eyes. Signed "Gilley" on side of driftwood "stump" below left side of bird ; no date.
Description: No base ; carved from balsa wood ; glass eyes, cast metal three-toed feet ; flat polychrome paint is applied in a somewhat stylized rather than strictly naturalistic, feather treatment ; Signed "Gilley" between feet below a small round hole ; no date
Description: Smooth oval pine disc base with gnarled driftwood root ; midway up the driftwood is mounted the bird, carved in characteristic seed-opening position with tail braced downward and bill pointed at ground ; glass eyes, wire legs, and metal feet grasping "branch." Signed "Gilley" on top edge of base. No date
Description: L-shaped driftwood branch serves as base for three gulls, positioned (left to right) taking off, raising wings, standing erect ; birds show totally different bill carvings, and the similar but minutely different paint indicates a transitional period (1940's?); unsigned
Description: Adult male and female mounted on pine and twig base, the lower bird (female) in downward crouching position, the male perched on lower fork of twig ; wire legs and metal feet, glass eyes ; signed "Gilley" on carved base.
Description: Gull in adult plumage, head erect and straight ahead, wing tips balanced high over tail, feet braced on a navigational buoy called a red nun. Glass eyes, wire legs and metal feet. Buoy painted with white Arabic numeral "4". Carved oval pine base, gouge-carved and painted to resemble sea water. No date visible.
Description: Photograph of Gilley chickadee carving used to sell blanks in the Warren Tool catalog. Note on reverse written by Warren Tool president Fred Clark: "Note: Carved chickadee (shown) personal gift from the late Wendall [sic] Gilley..."
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]
Description: 3 Guestbooks containing signatures of Wendell Gilley's visitors from March 1944 - Nov. 1951, July 24, 1971 - July 9, 1974, and July 12, 1974 - June 13, 1977. 1 notebook listing names of visitors to his workshop between May 1970 and July 24, 1971
Description: Solitary sandpiper perched with wings upright on driftwood branch ; spotted sandpiper standing, body tilted downward, on carved oblong base. Signed "Gilley" on left front of oblong base ; no date
Description: Postcard depicting a carved Canada goose which appears to be flying over a hedge ; "Canada Goose bird carving by Wendell Gilley" printed on reverse side of card.
Description: Postcard depicting a carved mallard on a driftwood base signed "Gilley" ; "Mallard Drake bird carving by Wendell Gilley" printed on reverse side of card.