Description: Published: Lebanon, N.H. : University Press of New England, c2009. Inscription to Nina Gormley, Museum Director, by the author on half title page.
Description: From the 2018 Premier Edition of Cultural adventures : Acadia and Downeast Maine. Gives background information about Wendell Gilley and describes carving classes offered by the Wendell Gilley Museum. Features photos of a great horned owl carved by Wendell Gilley as well as sandpipers carved by students in the museum's carving classes.
Description: From the July 2021 issue of Down East Magazine. Describes the history and current day programming of the Wendell Gilley Museum. Resident artist Steve Valleau is featured.
Description: Article from the Evening Telegram (Herkimer, N.Y.), May 17, 1967. Wendell Gilley was the featured speaker at the National Woodcarvers Association's New York chapter's second annual meeting, according to the article, which gives biographical and professional information about him.
Description: Announcement that Wendell Gilley would be attending a bird carving exhibition in Chestertown, Maryland. The carving of a bald eagle family that he entered in the exhibit is depicted.
Description: Wendell Gilley exhibits forty carvings plus carvings-in-progress at the Philadelphia Academy of Natural Sciences in the show "Down East Bird Carvings."
Description: Lists Wendell Gilley as one of America's top craftsmen exhibiting at the Kent County Chapter of the Maryland Ornithological Society show of waterfowl and upland game bird carvings in Nov. 1965. Other carvers exhibiting included Harold Haertel.
Description: This article, titled "Capt. Black: Artist and Surgeon", describes Wendell Gilley's influence on sculptor Paul Black. It also mentions Gilley's Canada goose carved for Harry S. Truman.
Description: Wendell Gilley Museum Director Nina Gormley and members of the museum's board of trustees standing in front of the museum with Whooping Cranes by Walter Matia, 1990.
Description: Article from Audubon Adventures, volume 2, number 4 (February/March 1986). Matthew Beal and Stephen Brooks are interviewed about learning to carve at the Wendell Gilley Museum with museum artist Steven Valleau.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Distinguished achievement award recognizing Wendell Gilley's accomplishments presented posthumously at University of Maine at Orono commencement exercises on May 14, 1983.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Polaroid photograph of Wendell Gilley standing in his workshop. In front of him is a table holding a saw. Behind him to his right is a carving of a Canada goose.
Description: Wendell Gilley, holding a carving of a ruffed grouse, with Steven Rockefeller. On reverse side of photograph: "Wendell Gilley in his S.W. Harbor Studio"
Description: Wendell Gilley standing next to a life size great horned owl carving. Also shown are carvings of a Canada goose, woodcock, and an unpainted pair of cormorants.
Description: Artist-in-Residence Steven Valleau at work on one of a series of panels for the outside of the museum building marking the museum's fifteenth anniversary.
Description: The published version of this draft appeared with the title "A Visit with Wendell Gilley, A Legend in the Carving World" in the National Carver's Museum publication, The Mallet. The author indicates that in Nov. 1979 Wendell told him about the planned building of the Wendell Gilley Museum.
Description: Wendell Gilley seated in his workshop next to a window with miniature carvings on windowsill. "Credit: Roche, Caldwell N.J." stamped on reverse.
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "N.Y.S. Wood carvers Convention Herkimer - May 1967 " ; stamped: "Carlyle W. Kennedy."
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "'Captain' Ed Moore, Wendell L. [sic] Gilley, Woodcarvers Meeting, Herkimer, N.Y. May 1967"
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "Helen Lay Strong - died June 13, 1995, Ed Gallenstein - President National Woodcarvers Association, Wendell Gilley, NWCA Herkimer Meeting, May 1967".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "DMF, Wendell Gilley, NWCA Meeting Herkimer, N.Y. May 1967, examining carvings by Erwin Caldwell".
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: Article from the Philadelphia Inquirer's society column by Ruth Seltzer describing the preparations for the exhibit Downeast Bird Carvings by Wendell Gilley. The exhibit was held at the Academy of Natural Sciences in Philadelphia. The photograph accompanying the article shows Barbara Tyson, a trustee of the Academy, helping unpack the carved birds.
Description: Sign at the Academy of Natural Sciences of Philadelphia for Wendell Gilley's Downeast Bird Carvings exhibit, October 29, 1976 through January 9, 1977.
Description: Catalog of an exhibition of Wendell Gilley's bird carvings held at the Academy of Natural Sciences of Philadelphia from October 29, 1976 through January 9, 1977
Description: Wendell Gilley standing in front of garage holding two carvings, an eagle and his first carving, a mallard made in 1930. On back of photo: "Wendell, Gilley, summer 1971, taken by Diane L. Kelly, his 1st & present bird in progress."
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.