Description: Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
Description: Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Distinguished achievement award recognizing Wendell Gilley's accomplishments presented posthumously at University of Maine at Orono commencement exercises on May 14, 1983.
Description: Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter acknowledging return of a bob-white carving as well as discussion of solder and advice on where to get bass wood. Also included are sketches of the leg and foot of a Canada goose.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
Description: This letter discusses correspondence between Wendell Gilley and Byron Cheever, author and magazine publisher, about Gilley's book. The author of the letter makes suggestions about paper and cover art and discusses copyright.
Description: Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.