Description: Decorative three dimensional eagle plaque, head turned left, painted gold, made from two pieces of wood. Has screw eye for hanging. Signed " W.H. Gilley" on back of right wing. Marked "Addie Gilley."
Description: Decorative eagle, head turned right, wings spread, talons clutching branch; unpainted, fitted for wall hanging. Signed "W.H. Gilley" on back. Marked "made especially for Addie B. Gilley."
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "'Captain' Ed Moore, Wendell L. [sic] Gilley, Woodcarvers Meeting, Herkimer, N.Y. May 1967"
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "N.Y.S. Wood carvers Convention Herkimer - May 1967 " ; stamped: "Carlyle W. Kennedy."
Description: Life size male; mounted on driftwood branch attached to carved oblong wooden base, body tilted downward; glass eyes, metal legs, carved, burned and painted detail. Unsigned. Marked "Addie Gilley, 1978" on underside.
Description: Adult male on gnarled driftwood root; glass eyes, wire legs and cut metal feet. Signed "Gilley '78" on oblong pine base ; underside of base marked "Evening Grosbeak #33"
Description: Painted board with miniature flying mallard attached. Inscribed on back "Given to J.E. Brown by Wendelll Gilley circ. 1936"; "Presented to the Gilley Museum July 1984."
Description: Wendell Gilley is a name well known among carvers and carving collectors. Author of The Art of Bird Carving: A Guide to a Fascinating Hobby, one of the earliest instructional books on the subject, Gilley was a pioneer in the field of decorative bird carving. By his estimate, he created “ten thousand birds of pine and paint” between 1931 and 1983. (Gilley also loved alliteration; it should be noted that most of his carvings were made of basswood.) [show more]
Description: Black and white photograph labeled "Golden eagle. 1980 carving by Wendell Gilley - collection of Wendell Gilley Museum - photo by Dori Selene Rockefeller" on reverse
Description: Approx. 1/3 life size; adult standing erect on driftwood base attached to oblong carved wooden base, head up, turned to right, beak open, tongue out; glass eyes, metal feet, carved, burned and painted detail. Signed "Gilley" on base. Marked " Golden Eagle made for Addie Gilley by Wendell Gilley 1980" on underside of base.
Description: Life size; adult male and female perched on twig, facing opposite directions, attached to shaped fiber board base, male higher on twig, distinguished by orange in crown, female below; both with glass eyes, wire feet and legs, painted plumage detail, base brown with green. Signed "Gilley" on right of base. Marked and dated "Golden Crowned Kinglets, Addie Gilley, 1972" on underside of base.
Description: Adult male goldfinch in summer plumage sitting on real branch ; "Gilley" signature on front topside of base almost completely faded ; additionally underside bears jackknife rubber stamp Gilley mark ; underside of base marked "Wedding gift to Joe + Anne Bragdon from Wendell H. Gilley + Addie" ; dated Oct, 4, 1981.
Description: One marked "Made for Hilda Bragdon by W.H. Gilley" on underside of base. The other marked "Made for Hulda Bragdon by W.H. Gilley" on underside of base. Both dated 1970.
Description: From the July 2021 issue of Down East Magazine. Describes the history and current day programming of the Wendell Gilley Museum. Resident artist Steve Valleau is featured.
Description: Figure permanently mounted on round footed base, intended to be covered with a glass dome. Top of base is a 3/4 inch diameter inner-ground of fine sand. Heron has cast lead legs and feet, lead-strip crest feathers, glass eyes. Signed "Gilley" on side of driftwood "stump" below left side of bird ; no date.
Description: Heron standing on driftwood base with beak pointing upward against painted background. In pencil on reverse: "Blue Heron." "Credit: Roche, Caldwell N.J." stamped on reverse.
Description: Great blue heron standing on driftwood branch. Metal legs and feet. Branch signed "Gilley '73" near feet. Underside inscribed "Gt. Blue Heron", "Addie Gilley",
Description: Miniatures; two adults on driftwood base, left heron stands with neck erect, right heron bent over; both with glass eyes, wire legs, metal crest feathers, carved and painted detail. Signed "Gilley" on right front of base.
Description: Pair of adult herons on roughly "x" shaped driftwood mount. On lower right arm of the "x" a heron in hunting posture is loosely mounted. On upper arm of the x, another heron is depicted in a guarding posture. Twin metal-strip crest, glass eyes, metal feet and legs realistically painted. Signed "Gilley" on top side of sand-finished oblong base, lower right.
Description: Black and white photograph labeled "Wendell Gilley - Great Blue Heron" and inscribed "Woodcarving of a 'Great Blue Heron with Trout' by Wendell Gilley, 1974 - collection of the Wendell Gilley Museum, Southwest Harbor" in red ink on reverse
Description: Half size; adult standing on driftwood attached to round carved wooden base, left leg bent, neck erect, beak closed around carved, painted trout; glass eyes, metal legs, carved, burned and painted detail. Signed "Gilley" on left of base.
Description: 1/10 life size; perched on driftwood piece attached to carved wooden base, owl's head turned over left shoulder; glass eyes, painted detail. Signed "Gilley," on top of stamp, marked "Addie Gilley," on underside of base.
Description: Carved at the request of Addie Gilley, who was inspired by an illustration in a book about birds of the world. Signed "Gilley" on bottom of driftwood branch. Underside of base marked "Native of India, Sumatra, Indo China".
Description: Miniature; perched on driftwood "stump" mounted on carved wooden base, head turned over left shoulder, body and ear-tufts erect, toes in correct formation on stump; glass eyes, painted plumage detail; muted colors. Marked "Gt. Horned Owl by W.H. Gilley, Addie Giley" on underside. Brass screw and extra hole visible under base.
Description: Life size; adult on driftwood piece attached to oblong carved wooden base; head turned to left, wings upraised, tail spread, talons clutching driftwood; glass eyes, metal toenails, carved, burned and painted detail. Signed "Gilley 1977" on base.
Description: Approx. 1/3 life size; adult on driftwood base, head turned to right, ear tufts erect, 3 toes forward and 1 back; glass eyes, metal feet, carved and painted detail. Signed "Gilley 1960" on lower left of base.
Description: Adult, standing on mesquite base, tail erect ; glass eyes, metal feet, carved, burned, and painted detail ; carved circa 1977, painted and completed winter, 1981. Signed "Gilley" with artist's branding iron on flat side of base. Companion piece 81.1.175.
Description: Life-size adult "running" on mesquite base ; glass eyes, metal feet, carved, burned and painted detail ; carved circa 1977, painted and completed winter 1981. Unsigned. Companion piece 81.1.174.
Description: Life-size; Adult bird on driftwood base, standing hunched over as if fishing; Glass eyes, metal legs, painted, carved, burned details. Signed "Gilley '76" on underside of base. Marked "Green Heron by Wendell Gilley, 1976."
Description: Approx. 1/2 life size; adult on driftwood base, standing, neck down, beak horizontal, facing forward; glass eyes, metal legs, carved and burned detail. Signed "Gilley" on base.
Description: Approx. 1/3 life size; adult on natural burl base, head turned slightly to right, hunched back, squatting; burned and painted detail, feet lead. Signed and dated "Gilley '74" on right of base. Marked "Green-winged teal by W. Gilley for Addie Gilley, 1974" on underside of base.
Description: Life size drake; standing on driftwood base, head erect, turned to left; Glass eyes, metal feet, carved , burned and painted detail. Signed "Gilley" on left rear of base. Marked "For Addie Gilley, Green -winged Teal by W.H. Gilley, 1974" on underside of base. Stamped "W.H. Gilley" between legs.
Description: Photograph of five birds carved by Wendell Gilley. Clockwise from left: black duck, Canada goose, canvasback, harlequin duck, and common eider. Stamped "W.H. Ballard, Photographer, S. W. Harbor, Me" on back. Numbered "#28" in pencil above stamp.
Description: 3 Guestbooks containing signatures of Wendell Gilley's visitors from March 1944 - Nov. 1951, July 24, 1971 - July 9, 1974, and July 12, 1974 - June 13, 1977. 1 notebook listing names of visitors to his workshop between May 1970 and July 24, 1971
Description: Photograph of an interior showing gull carvings, including a mobile, by Wendell Gilley. Stamped "Anchor Light Studio, W.H. Ballard, Southwest Harbor, Maine" on back.
Description: By Frank M. Chapman, with full-page plates in colors and black and white by Louis Agassiz Fuertes. Revised edition. Published by D. Appleton and Co. Maps on end papers.
Description: Glass eyes ; wire and metal feet and legs ; feet are atop a "stump" of a small branch mounted in turn on a carved pine base. Underside of base marked "Hermit Thrush by Wendell Gilley 1977.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Herring gull in adult plumage, taking off from a smooth burl driftwood base ; carved with minimum of detail; outside wing edges notched to suggest feathers; painted eyes, bill, legs and feet. W.H.G. marked on underside of base ; no date on piece but probably from the 1940s
Description: Open winged gull with metal legs and feet mounted on driftwood branch ; signed "Gilley" in black on top of base beneath gull's beak and dated 1962.
Description: Herring gull perched on wooden post. No date or signature visible. Stamp "W.H. Gilley" visible under white paint between legs. Bird detaches from base.
Description: Photograph of a herring gull carved by Wendell Gilley. The gull is perched on a buoy with the number 7 painted on it. Behind the gull is a painted scene of water and rocks. Stamped "W.H. Ballard, Photographer, S. W. Harbor, Me" on back.
Description: Gull in adult plumage, head erect and straight ahead, wing tips balanced high over tail, feet braced on a navigational buoy called a red nun. Glass eyes, wire legs and metal feet. Buoy painted with white Arabic numeral "4". Carved oval pine base, gouge-carved and painted to resemble sea water. No date visible.
Description: Two adult birds on a roughly "J" shaped driftwood base ; glass eyes ; cast lead legs and feet. Signed "Gilley" on right side of driftwood base below the sitting gull ; inscribed "Made for Hilda - Hulda Bragdon 1972" on underside of base.
Description: 1/4 life size; folded wings, perched on natural base; glass eyes, painted, semi-detailed plumage markings. Signed: "Gilley '73" on right side of base.
Description: Miniatures; adults on driftwood attached to oblong green/black wooden base, right gull on toes, head down, wings and tail spread, left gull standing, wings folded; both with glass eyes, metal legs and feet, carved and painted detail. Signed "Gilley" on left of base.
Description: Approx. 1/2 life size; adult swimming, flat bottom, carved and painted fish in beak, head tilted left; glass eyes, carved and painted decorative detail. Signed "Gilley" and marked "Addie Gilley" on underside of base. Dated "1946"
Description: 3 miniature adults on driftwood base ; far left gull taking flight on toes, wings raised, beak agape; middle gull standing, wing partially raised, partially folded; right side gull standing, wings folded ; all with painted details, metal feet ; signed on side of base: "Gilley",
Description: L-shaped driftwood branch serves as base for three gulls, positioned (left to right) taking off, raising wings, standing erect ; birds show totally different bill carvings, and the similar but minutely different paint indicates a transitional period (1940's?); unsigned
Description: Adult bird balances on the front face of burl base with wire legs and toes with talons clutching downward ; deeply arched back with vertical tail and bill pointing almost to sky. Glass eyes. Signed "Gilley/'78" on top edge of base. Underside of base marked "House Wren 1978, #34" and stamped "Wendell H. Gilley".
Description: Published: New York : Winchester Press. Page 69 is signed by Frank C. Wilson, a Massachusetts decoy carver who is featured in the book. Wilson's work was for sale in the Wendell Gilley Museum shop.
Description: Lists Wendell Gilley as one of America's top craftsmen exhibiting at the Kent County Chapter of the Maryland Ornithological Society show of waterfowl and upland game bird carvings in Nov. 1965. Other carvers exhibiting included Harold Haertel.
Description: Life size; adult on driftwood base, body horizontal, head erect, facing forward, right foot raised with only middle toe touching base; glass eyes, carved, burned and painted feather detail, wire legs and feet. Signed "Gilley" on right of base. Marked and dates "Killdeer, Addie Gilley, 1975" on underside of base.
Description: Miniature; flying, wire screwed into body for hanging; glass eyes, painted feet and plumage, carved feather detail in wings. Signed "Giley," under left wing; marked "Addie Gilley."
Description: Miniature; flying carving, wire screwed into body for hanging; glass eyes, painted details of plumage and feet, some carved feather detail in wings; incorrect beak detail; artist copied from painting w/o front perspective. Signed: "Gilley" on white upper flank patch; "Addie Gilley" marked on underside of breast. Companion pieces: 81.1.15, 81.1.16.
Description: Miniature; Flying, screw eye in body for hanging, one extra hole present beneath screw eye; painted eyes, carved feet, feather detail carved into wings and tail, King Eider beak marking absent. Carved after the fashion of A. J. Dando's birds owned by Caroll Tyson. Signed: "Gilley," on underside of upper wing; Marked "Addie Gilley," on underside of lower wing.
Description: Original letter from Byron Cheever, Publisher of North American Decoys, expressing Cheever's willingness to publish Wendell Gilley's book and asking questions about publication and printing details.
Description: Photocopy from the original by Byron Cheever listing questions he had regarding publishing Gilley's book. Gilley's answers as dictated to Donal C. O'Brien, Jr. are in pencil after each question.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Letter to the president of Warren Tool Co. from artist Ekstrom about an article and artwork of Wendell Gilley's chickadee for Popular Woodworking. Ekstrom describes how he had to carve the chickadee himself before he could finish the article.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter congratulating Gilley on the success of the exhibition Downeast Bird Carvings of Wendell Gilley at the Academy of Natural Sciences in Philadelphia. On exhibit were sixty-one carvings of birds "on display together for the first time." 34, 272 people attended the exhibit during its ten week run from October 29, 1976 to January 7, 1977.
Description: Letter acknowledging return of a bob-white carving as well as discussion of solder and advice on where to get bass wood. Also included are sketches of the leg and foot of a Canada goose.
Description: Letter to the President of Warren Tool Co., Fred Clark, concerning wood carving tools and ways of holding tools on a work bench. Also mentioned is a grouse carving loaned to Harry Meech, one of the founders of the National Carvers Museum.
Description: Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
Description: Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Wendell suggests carvings he had on hand that could be photographed to illustrate his book. Birds he suggests are: bob white quail, scaled quail, flock of 7 Canada geese, pair of Wilson snipe, pair of grouse, single woodcock, several miniature birds of all types, great blue heron with trout in mouth, group of three pintails, life size eagle, pair of life size wood duck, spotted sandpiper on mussel shell, life size pileated woodpecker, pair of eagles with two babies in nest. [show more]
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.
Description: Letter thanking Fred Clark, President of Warren Tool Co., for promoting the Gilley Museum in its catalog. The letter also describes winter events at the museum as well as the museum's collection of taxidermy.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: This letter is a reply to the Gilley Museum Director's request for a garden to be donated by the Garden Club of Mount Desert. It also mentions a carving of three gulls on a driftwood based that Mrs. Bancroft commissioned from Wendell Gilley.
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: Letter thanking Wendell Gilley for the loan of his carvings for the exhibit Downeast Bird Carvings by Wendell Gilley held at the Academy of Natural Sciences, Philadelphia, Oct. 29, 1976 through Jan. 7, 1977
Description: Describes Wendell Gilley's visit to Herkimer New York where in 1967 Fenner invited him to be guest speaker at the National Woodcarvers Association Woodcarving Show held there. This letter is accompanied by photos of Wendell Gillley at the show.
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
Description: This letter discusses correspondence between Wendell Gilley and Byron Cheever, author and magazine publisher, about Gilley's book. The author of the letter makes suggestions about paper and cover art and discusses copyright.
Description: Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: Letter describing O'Brien's sailing trip around Buckle Island, Swans Island and others and the eiders and ospreys he saw. This letter also mentions Gilley's idea for a museum.
Description: O'Brien acknowledges receipt of a spotted sandpiper carving from Gilley and discusses a handle Gillely designed for an X-Acto blade as well as decoy designs.
Description: Letter discusses publishing Gilley's book in a limited edition as well as including a photograph of Gilley with an osprey as an insert. It also mentions a carving of an owl and another of a bobwhite quail on a hatchet.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Life size; adult on driftwood base, squatting, tail up, neck arched back; glass eyes, metal legs, carved, burned and painted detail, beak made from naturally curved piece of ash. Bird was originally made standing erect, then changed - two holes where old legs were placed behind present pair. Unsigned.
Description: Life size; pair on driftwood piece attached to oblong carved wooden base with painted metal glass in foreground, upper owl has wings up, head turned left facing front of piece, ear tufts erect, tail fanned out, legs reaching down as if alighting, lower owl perched, wings closed, ear tufts erect; both with glass eyes, metal toenails, carved, burned and painted detail. Signed"Gilley '75" on lower left of driftwood. Marked "Long-eared Owls by Wendell Gilley" on underside of base. [show more]
Description: Two carvings, 1/3 Life size (chickadee is in proportion to owl); mounted on natural wood, owl at bottom facing forward, chickadee perched on branch to the left and above the owl. On owl, two toes forward and two backward; no feet on chickadee; glued onto branch, Chickadee has pinhead black eyes, owl has glass eyes, both with painted and carved detail. Signed: "Gilley '72"; marked "l. eared owl," on underside of base.
Description: Life size; swimming; flat bottom, tail up, head turned slightly left; glass eyes, carved and painted detail. Signed, dated and marked: "Oldsquaw (male) 1970, made for Addie Gilley by W.H. Gilley" on underside. Companion piece no. 81.1.85
Description: Common loon adult standing over nest with attached egg and unattached chick, head bent down, beak touching unhatched egg on oblong wooden base covered with sand and nesting material; adult loon has glass eyes, carved and painted detail, metal feet; egg painted; chick one-piece, beak open, flat bottom, pinhead eyes, painted detail. Marked, dated and signed "Made for Addie Gilley, 1964, Common Loon by Wendell Gilley" on underside of base.
Description: Approx. 1/4 life size; three part composition: one swimming, flat-bottomed adult, two swimming, flat-bottomed chicks; adult's head turned slightly to left, with glass eyes and painted detail; chick a's head is erect, chick b's head is down, both have burned detail. Adult marked, dated, signed "Loon, made for Addie Gilley by W.H. Gilley, 1973" on underside. Chicks unmarked.
Description: Article from Audubon Adventures, volume 2, number 4 (February/March 1986). Matthew Beal and Stephen Brooks are interviewed about learning to carve at the Wendell Gilley Museum with museum artist Steven Valleau.
Description: Male mallard mounted on driftwood attached to smooth painted wooden base ; signed "Gilley" in light grey on front of base; no visible date
Description: Miniature; head and body one piece, wire legs set into round, black base, feet painted, semi-detailed. Marked on underside of base: "Mallard, W.H. Gilley, First Bird, Made 1930, Addie Gilley." First bird carving by Wendell H. Gilley.
Description: Miniature; standing, head turned right, mounted on grey mound base; glass eyes, painted plumage, carved feet, carved detail of tail and feathers. Signed "Gilley, 1960," marked "Addie Gilley" on underside of base.
Description: Approx. 1/2 life size; stands up semi erect, head turned to left; metal feet, carved and painted detail. Marked "Addie Gilley" on underside.
Description: Approx. 1/3 life size; mounted on driftwood base, standing semi-erect, head turned right; glass eyes, metal feet, carved and painted detail. Signed "Gilley" on left of base.
Description: Marked "Model made by Donal C. O'Brien, Jr. Carved on a carving machine. Assembled + painted by Wendell Gilley." Has round label "1M" on bottom.
Description: 2 pieces. Miniature swimming adult with carved and painted detail attached to lid of varnished pine box. Underside of box marked "Made by W.H. Gilley, Southwest Harbor, Maine". Lid has screw head visible in center of underside.
Description: Six-board pine box, lap-joined and nailed, with clear acrylic finish ; rounded-edge lift cover, carved underneath to set in box cavity. Five-inch long mallard is screw-mounted lengthwise in the center of cover ; has two curled lead-strip tail-curls, glass eyes. Marked "Made for Hilda and Hulda Bragdon" on underside of box. Signed "Made by Wendell Gilley" and dated 1950 (in a circle).
Description: Carving of a half-bodied mallard duck in flight superimposed on a painted scene of shoreline and water ; duck approximately seven inches long, six inches high ; both legs are broken off and missing ; traces of practice painting on reverse ; edges painted silver ; signed bottom right "Gilley"
Description: Miniature; carved figure of bearded man with blue plaid scarf, white shirt, brown coat and trousers, wearing sou'wester; carved and painted detail, attached to square bottom base. Marked "by W.H. Gilley" on underside.
Description: Miniature; carved figure of bearded man with pipe, wearing hat, red patterned scarf, light blue shirt, dark blue trousers, high block boots; attached to rectangular wooden base. Marked "by W.H. Gilley" on underside.
Description: Photograph of a marbled (?) godwit carved by Wendell H. Gilley. The carving appears to be part of a diorama. On reverse side in pencil: "George W. Pepper 3rd" . "Roche Photography, Caldwell N.J." stamp on reverse.
Description: Near life size; on driftwood piece attached to oblong carved wooden base, bird on right standing erect, head turned to right, left leg raised, left bird bending over, right leg raised; both birds with glass eyes, metal legs and feet. Signed "Gilley '75" on left of base. Marked "Property of Addie Gilley, Marbled Godwit 1975, by W.H. Gilley" on underside.
Description: Resting bird, head slightly tucked, bill downwards, tail swept up and wing tips cropped; minimal carved detail, incised wings ; glass eyes, metal legs and feet with talons clutching downward on driftwood burl base. Signed "Gilley" on top of base, lower left; no date on piece but approximately 1948.
Description: Wendell Gilley Museum Director Nina Gormley and members of the museum's board of trustees standing in front of the museum with Whooping Cranes by Walter Matia, 1990.
Description: Adult male perched facing downward on driftwood branch attached to carved oblong base. Glass eyes ; wire and metal legs and feet. Oval pine base gouged and stained ; underside of base covered in felt. No visible signature or date
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]