Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.
Description: Describes Wendell Gilley's visit to Herkimer New York where in 1967 Fenner invited him to be guest speaker at the National Woodcarvers Association Woodcarving Show held there. This letter is accompanied by photos of Wendell Gillley at the show.
Description: Letter thanking Wendell Gilley for the loan of his carvings for the exhibit Downeast Bird Carvings by Wendell Gilley held at the Academy of Natural Sciences, Philadelphia, Oct. 29, 1976 through Jan. 7, 1977
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: This letter is a reply to the Gilley Museum Director's request for a garden to be donated by the Garden Club of Mount Desert. It also mentions a carving of three gulls on a driftwood based that Mrs. Bancroft commissioned from Wendell Gilley.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: Letter thanking Fred Clark, President of Warren Tool Co., for promoting the Gilley Museum in its catalog. The letter also describes winter events at the museum as well as the museum's collection of taxidermy.
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.
Description: Wendell suggests carvings he had on hand that could be photographed to illustrate his book. Birds he suggests are: bob white quail, scaled quail, flock of 7 Canada geese, pair of Wilson snipe, pair of grouse, single woodcock, several miniature birds of all types, great blue heron with trout in mouth, group of three pintails, life size eagle, pair of life size wood duck, spotted sandpiper on mussel shell, life size pileated woodpecker, pair of eagles with two babies in nest. [show more]
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
Description: Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
Description: Letter to the President of Warren Tool Co., Fred Clark, concerning wood carving tools and ways of holding tools on a work bench. Also mentioned is a grouse carving loaned to Harry Meech, one of the founders of the National Carvers Museum.
Description: Letter acknowledging return of a bob-white carving as well as discussion of solder and advice on where to get bass wood. Also included are sketches of the leg and foot of a Canada goose.
Description: Letter congratulating Gilley on the success of the exhibition Downeast Bird Carvings of Wendell Gilley at the Academy of Natural Sciences in Philadelphia. On exhibit were sixty-one carvings of birds "on display together for the first time." 34, 272 people attended the exhibit during its ten week run from October 29, 1976 to January 7, 1977.
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: Letter to the president of Warren Tool Co. from artist Ekstrom about an article and artwork of Wendell Gilley's chickadee for Popular Woodworking. Ekstrom describes how he had to carve the chickadee himself before he could finish the article.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Original letter from Byron Cheever, Publisher of North American Decoys, expressing Cheever's willingness to publish Wendell Gilley's book and asking questions about publication and printing details.
Description: Photocopy from the original by Byron Cheever listing questions he had regarding publishing Gilley's book. Gilley's answers as dictated to Donal C. O'Brien, Jr. are in pencil after each question.
Description: Miniature; flying carving, wire screwed into body for hanging; glass eyes, painted details of plumage and feet, some carved feather detail in wings; incorrect beak detail; artist copied from painting w/o front perspective. Signed: "Gilley" on white upper flank patch; "Addie Gilley" marked on underside of breast. Companion pieces: 81.1.15, 81.1.16.
Description: Miniature; Flying, screw eye in body for hanging, one extra hole present beneath screw eye; painted eyes, carved feet, feather detail carved into wings and tail, King Eider beak marking absent. Carved after the fashion of A. J. Dando's birds owned by Caroll Tyson. Signed: "Gilley," on underside of upper wing; Marked "Addie Gilley," on underside of lower wing.
Description: Miniature; flying, wire screwed into body for hanging; glass eyes, painted feet and plumage, carved feather detail in wings. Signed "Giley," under left wing; marked "Addie Gilley."
Description: Life size; adult on driftwood base, body horizontal, head erect, facing forward, right foot raised with only middle toe touching base; glass eyes, carved, burned and painted feather detail, wire legs and feet. Signed "Gilley" on right of base. Marked and dates "Killdeer, Addie Gilley, 1975" on underside of base.
Description: Lists Wendell Gilley as one of America's top craftsmen exhibiting at the Kent County Chapter of the Maryland Ornithological Society show of waterfowl and upland game bird carvings in Nov. 1965. Other carvers exhibiting included Harold Haertel.
Description: Published: New York : Winchester Press. Page 69 is signed by Frank C. Wilson, a Massachusetts decoy carver who is featured in the book. Wilson's work was for sale in the Wendell Gilley Museum shop.
Description: Adult bird balances on the front face of burl base with wire legs and toes with talons clutching downward ; deeply arched back with vertical tail and bill pointing almost to sky. Glass eyes. Signed "Gilley/'78" on top edge of base. Underside of base marked "House Wren 1978, #34" and stamped "Wendell H. Gilley".
Description: 3 miniature adults on driftwood base ; far left gull taking flight on toes, wings raised, beak agape; middle gull standing, wing partially raised, partially folded; right side gull standing, wings folded ; all with painted details, metal feet ; signed on side of base: "Gilley",
Description: L-shaped driftwood branch serves as base for three gulls, positioned (left to right) taking off, raising wings, standing erect ; birds show totally different bill carvings, and the similar but minutely different paint indicates a transitional period (1940's?); unsigned
Description: Approx. 1/2 life size; adult swimming, flat bottom, carved and painted fish in beak, head tilted left; glass eyes, carved and painted decorative detail. Signed "Gilley" and marked "Addie Gilley" on underside of base. Dated "1946"
Description: Two adult birds on a roughly "J" shaped driftwood base ; glass eyes ; cast lead legs and feet. Signed "Gilley" on right side of driftwood base below the sitting gull ; inscribed "Made for Hilda - Hulda Bragdon 1972" on underside of base.
Description: 1/4 life size; folded wings, perched on natural base; glass eyes, painted, semi-detailed plumage markings. Signed: "Gilley '73" on right side of base.
Description: Miniatures; adults on driftwood attached to oblong green/black wooden base, right gull on toes, head down, wings and tail spread, left gull standing, wings folded; both with glass eyes, metal legs and feet, carved and painted detail. Signed "Gilley" on left of base.
Description: Gull in adult plumage, head erect and straight ahead, wing tips balanced high over tail, feet braced on a navigational buoy called a red nun. Glass eyes, wire legs and metal feet. Buoy painted with white Arabic numeral "4". Carved oval pine base, gouge-carved and painted to resemble sea water. No date visible.
Description: Photograph of a herring gull carved by Wendell Gilley. The gull is perched on a buoy with the number 7 painted on it. Behind the gull is a painted scene of water and rocks. Stamped "W.H. Ballard, Photographer, S. W. Harbor, Me" on back.
Description: Herring gull in adult plumage, taking off from a smooth burl driftwood base ; carved with minimum of detail; outside wing edges notched to suggest feathers; painted eyes, bill, legs and feet. W.H.G. marked on underside of base ; no date on piece but probably from the 1940s
Description: Open winged gull with metal legs and feet mounted on driftwood branch ; signed "Gilley" in black on top of base beneath gull's beak and dated 1962.
Description: Herring gull perched on wooden post. No date or signature visible. Stamp "W.H. Gilley" visible under white paint between legs. Bird detaches from base.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Glass eyes ; wire and metal feet and legs ; feet are atop a "stump" of a small branch mounted in turn on a carved pine base. Underside of base marked "Hermit Thrush by Wendell Gilley 1977.
Description: By Frank M. Chapman, with full-page plates in colors and black and white by Louis Agassiz Fuertes. Revised edition. Published by D. Appleton and Co. Maps on end papers.
Description: Photograph of an interior showing gull carvings, including a mobile, by Wendell Gilley. Stamped "Anchor Light Studio, W.H. Ballard, Southwest Harbor, Maine" on back.
Description: 3 Guestbooks containing signatures of Wendell Gilley's visitors from March 1944 - Nov. 1951, July 24, 1971 - July 9, 1974, and July 12, 1974 - June 13, 1977. 1 notebook listing names of visitors to his workshop between May 1970 and July 24, 1971
Description: Photograph of five birds carved by Wendell Gilley. Clockwise from left: black duck, Canada goose, canvasback, harlequin duck, and common eider. Stamped "W.H. Ballard, Photographer, S. W. Harbor, Me" on back. Numbered "#28" in pencil above stamp.
Description: Approx. 1/3 life size; adult on natural burl base, head turned slightly to right, hunched back, squatting; burned and painted detail, feet lead. Signed and dated "Gilley '74" on right of base. Marked "Green-winged teal by W. Gilley for Addie Gilley, 1974" on underside of base.
Description: Life size drake; standing on driftwood base, head erect, turned to left; Glass eyes, metal feet, carved , burned and painted detail. Signed "Gilley" on left rear of base. Marked "For Addie Gilley, Green -winged Teal by W.H. Gilley, 1974" on underside of base. Stamped "W.H. Gilley" between legs.
Description: Life-size; Adult bird on driftwood base, standing hunched over as if fishing; Glass eyes, metal legs, painted, carved, burned details. Signed "Gilley '76" on underside of base. Marked "Green Heron by Wendell Gilley, 1976."
Description: Approx. 1/2 life size; adult on driftwood base, standing, neck down, beak horizontal, facing forward; glass eyes, metal legs, carved and burned detail. Signed "Gilley" on base.
Description: Adult, standing on mesquite base, tail erect ; glass eyes, metal feet, carved, burned, and painted detail ; carved circa 1977, painted and completed winter, 1981. Signed "Gilley" with artist's branding iron on flat side of base. Companion piece 81.1.175.
Description: Life-size adult "running" on mesquite base ; glass eyes, metal feet, carved, burned and painted detail ; carved circa 1977, painted and completed winter 1981. Unsigned. Companion piece 81.1.174.
Description: Miniature; perched on driftwood "stump" mounted on carved wooden base, head turned over left shoulder, body and ear-tufts erect, toes in correct formation on stump; glass eyes, painted plumage detail; muted colors. Marked "Gt. Horned Owl by W.H. Gilley, Addie Giley" on underside. Brass screw and extra hole visible under base.
Description: Life size; adult on driftwood piece attached to oblong carved wooden base; head turned to left, wings upraised, tail spread, talons clutching driftwood; glass eyes, metal toenails, carved, burned and painted detail. Signed "Gilley 1977" on base.
Description: Approx. 1/3 life size; adult on driftwood base, head turned to right, ear tufts erect, 3 toes forward and 1 back; glass eyes, metal feet, carved and painted detail. Signed "Gilley 1960" on lower left of base.
Description: Carved at the request of Addie Gilley, who was inspired by an illustration in a book about birds of the world. Signed "Gilley" on bottom of driftwood branch. Underside of base marked "Native of India, Sumatra, Indo China".
Description: 1/10 life size; perched on driftwood piece attached to carved wooden base, owl's head turned over left shoulder; glass eyes, painted detail. Signed "Gilley," on top of stamp, marked "Addie Gilley," on underside of base.
Description: Black and white photograph labeled "Wendell Gilley - Great Blue Heron" and inscribed "Woodcarving of a 'Great Blue Heron with Trout' by Wendell Gilley, 1974 - collection of the Wendell Gilley Museum, Southwest Harbor" in red ink on reverse
Description: Half size; adult standing on driftwood attached to round carved wooden base, left leg bent, neck erect, beak closed around carved, painted trout; glass eyes, metal legs, carved, burned and painted detail. Signed "Gilley" on left of base.
Description: Miniatures; two adults on driftwood base, left heron stands with neck erect, right heron bent over; both with glass eyes, wire legs, metal crest feathers, carved and painted detail. Signed "Gilley" on right front of base.
Description: Pair of adult herons on roughly "x" shaped driftwood mount. On lower right arm of the "x" a heron in hunting posture is loosely mounted. On upper arm of the x, another heron is depicted in a guarding posture. Twin metal-strip crest, glass eyes, metal feet and legs realistically painted. Signed "Gilley" on top side of sand-finished oblong base, lower right.
Description: Figure permanently mounted on round footed base, intended to be covered with a glass dome. Top of base is a 3/4 inch diameter inner-ground of fine sand. Heron has cast lead legs and feet, lead-strip crest feathers, glass eyes. Signed "Gilley" on side of driftwood "stump" below left side of bird ; no date.