Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Letter to the president of Warren Tool Co. from artist Ekstrom about an article and artwork of Wendell Gilley's chickadee for Popular Woodworking. Ekstrom describes how he had to carve the chickadee himself before he could finish the article.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter congratulating Gilley on the success of the exhibition Downeast Bird Carvings of Wendell Gilley at the Academy of Natural Sciences in Philadelphia. On exhibit were sixty-one carvings of birds "on display together for the first time." 34, 272 people attended the exhibit during its ten week run from October 29, 1976 to January 7, 1977.
Description: Letter acknowledging return of a bob-white carving as well as discussion of solder and advice on where to get bass wood. Also included are sketches of the leg and foot of a Canada goose.
Description: Letter to the President of Warren Tool Co., Fred Clark, concerning wood carving tools and ways of holding tools on a work bench. Also mentioned is a grouse carving loaned to Harry Meech, one of the founders of the National Carvers Museum.
Description: Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
Description: Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Wendell suggests carvings he had on hand that could be photographed to illustrate his book. Birds he suggests are: bob white quail, scaled quail, flock of 7 Canada geese, pair of Wilson snipe, pair of grouse, single woodcock, several miniature birds of all types, great blue heron with trout in mouth, group of three pintails, life size eagle, pair of life size wood duck, spotted sandpiper on mussel shell, life size pileated woodpecker, pair of eagles with two babies in nest. [show more]
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.
Description: Letter thanking Fred Clark, President of Warren Tool Co., for promoting the Gilley Museum in its catalog. The letter also describes winter events at the museum as well as the museum's collection of taxidermy.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: This letter is a reply to the Gilley Museum Director's request for a garden to be donated by the Garden Club of Mount Desert. It also mentions a carving of three gulls on a driftwood based that Mrs. Bancroft commissioned from Wendell Gilley.
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: Letter thanking Wendell Gilley for the loan of his carvings for the exhibit Downeast Bird Carvings by Wendell Gilley held at the Academy of Natural Sciences, Philadelphia, Oct. 29, 1976 through Jan. 7, 1977
Description: Describes Wendell Gilley's visit to Herkimer New York where in 1967 Fenner invited him to be guest speaker at the National Woodcarvers Association Woodcarving Show held there. This letter is accompanied by photos of Wendell Gillley at the show.
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
Description: This letter discusses correspondence between Wendell Gilley and Byron Cheever, author and magazine publisher, about Gilley's book. The author of the letter makes suggestions about paper and cover art and discusses copyright.
Description: Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: Letter describing O'Brien's sailing trip around Buckle Island, Swans Island and others and the eiders and ospreys he saw. This letter also mentions Gilley's idea for a museum.
Description: O'Brien acknowledges receipt of a spotted sandpiper carving from Gilley and discusses a handle Gillely designed for an X-Acto blade as well as decoy designs.
Description: Letter discusses publishing Gilley's book in a limited edition as well as including a photograph of Gilley with an osprey as an insert. It also mentions a carving of an owl and another of a bobwhite quail on a hatchet.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Life size; adult on driftwood base, squatting, tail up, neck arched back; glass eyes, metal legs, carved, burned and painted detail, beak made from naturally curved piece of ash. Bird was originally made standing erect, then changed - two holes where old legs were placed behind present pair. Unsigned.
Description: Life size; pair on driftwood piece attached to oblong carved wooden base with painted metal glass in foreground, upper owl has wings up, head turned left facing front of piece, ear tufts erect, tail fanned out, legs reaching down as if alighting, lower owl perched, wings closed, ear tufts erect; both with glass eyes, metal toenails, carved, burned and painted detail. Signed"Gilley '75" on lower left of driftwood. Marked "Long-eared Owls by Wendell Gilley" on underside of base. [show more]
Description: Two carvings, 1/3 Life size (chickadee is in proportion to owl); mounted on natural wood, owl at bottom facing forward, chickadee perched on branch to the left and above the owl. On owl, two toes forward and two backward; no feet on chickadee; glued onto branch, Chickadee has pinhead black eyes, owl has glass eyes, both with painted and carved detail. Signed: "Gilley '72"; marked "l. eared owl," on underside of base.
Description: Life size; swimming; flat bottom, tail up, head turned slightly left; glass eyes, carved and painted detail. Signed, dated and marked: "Oldsquaw (male) 1970, made for Addie Gilley by W.H. Gilley" on underside. Companion piece no. 81.1.85
Description: Common loon adult standing over nest with attached egg and unattached chick, head bent down, beak touching unhatched egg on oblong wooden base covered with sand and nesting material; adult loon has glass eyes, carved and painted detail, metal feet; egg painted; chick one-piece, beak open, flat bottom, pinhead eyes, painted detail. Marked, dated and signed "Made for Addie Gilley, 1964, Common Loon by Wendell Gilley" on underside of base.
Description: Approx. 1/4 life size; three part composition: one swimming, flat-bottomed adult, two swimming, flat-bottomed chicks; adult's head turned slightly to left, with glass eyes and painted detail; chick a's head is erect, chick b's head is down, both have burned detail. Adult marked, dated, signed "Loon, made for Addie Gilley by W.H. Gilley, 1973" on underside. Chicks unmarked.
Description: Article from Audubon Adventures, volume 2, number 4 (February/March 1986). Matthew Beal and Stephen Brooks are interviewed about learning to carve at the Wendell Gilley Museum with museum artist Steven Valleau.
Description: Male mallard mounted on driftwood attached to smooth painted wooden base ; signed "Gilley" in light grey on front of base; no visible date
Description: Miniature; head and body one piece, wire legs set into round, black base, feet painted, semi-detailed. Marked on underside of base: "Mallard, W.H. Gilley, First Bird, Made 1930, Addie Gilley." First bird carving by Wendell H. Gilley.
Description: Miniature; standing, head turned right, mounted on grey mound base; glass eyes, painted plumage, carved feet, carved detail of tail and feathers. Signed "Gilley, 1960," marked "Addie Gilley" on underside of base.
Description: Approx. 1/2 life size; stands up semi erect, head turned to left; metal feet, carved and painted detail. Marked "Addie Gilley" on underside.
Description: Approx. 1/3 life size; mounted on driftwood base, standing semi-erect, head turned right; glass eyes, metal feet, carved and painted detail. Signed "Gilley" on left of base.
Description: Marked "Model made by Donal C. O'Brien, Jr. Carved on a carving machine. Assembled + painted by Wendell Gilley." Has round label "1M" on bottom.
Description: 2 pieces. Miniature swimming adult with carved and painted detail attached to lid of varnished pine box. Underside of box marked "Made by W.H. Gilley, Southwest Harbor, Maine". Lid has screw head visible in center of underside.
Description: Six-board pine box, lap-joined and nailed, with clear acrylic finish ; rounded-edge lift cover, carved underneath to set in box cavity. Five-inch long mallard is screw-mounted lengthwise in the center of cover ; has two curled lead-strip tail-curls, glass eyes. Marked "Made for Hilda and Hulda Bragdon" on underside of box. Signed "Made by Wendell Gilley" and dated 1950 (in a circle).
Description: Carving of a half-bodied mallard duck in flight superimposed on a painted scene of shoreline and water ; duck approximately seven inches long, six inches high ; both legs are broken off and missing ; traces of practice painting on reverse ; edges painted silver ; signed bottom right "Gilley"
Description: Miniature; carved figure of bearded man with blue plaid scarf, white shirt, brown coat and trousers, wearing sou'wester; carved and painted detail, attached to square bottom base. Marked "by W.H. Gilley" on underside.
Description: Miniature; carved figure of bearded man with pipe, wearing hat, red patterned scarf, light blue shirt, dark blue trousers, high block boots; attached to rectangular wooden base. Marked "by W.H. Gilley" on underside.
Description: Photograph of a marbled (?) godwit carved by Wendell H. Gilley. The carving appears to be part of a diorama. On reverse side in pencil: "George W. Pepper 3rd" . "Roche Photography, Caldwell N.J." stamp on reverse.
Description: Near life size; on driftwood piece attached to oblong carved wooden base, bird on right standing erect, head turned to right, left leg raised, left bird bending over, right leg raised; both birds with glass eyes, metal legs and feet. Signed "Gilley '75" on left of base. Marked "Property of Addie Gilley, Marbled Godwit 1975, by W.H. Gilley" on underside.
Description: Resting bird, head slightly tucked, bill downwards, tail swept up and wing tips cropped; minimal carved detail, incised wings ; glass eyes, metal legs and feet with talons clutching downward on driftwood burl base. Signed "Gilley" on top of base, lower left; no date on piece but approximately 1948.
Description: Wendell Gilley Museum Director Nina Gormley and members of the museum's board of trustees standing in front of the museum with Whooping Cranes by Walter Matia, 1990.
Description: Adult male perched facing downward on driftwood branch attached to carved oblong base. Glass eyes ; wire and metal legs and feet. Oval pine base gouged and stained ; underside of base covered in felt. No visible signature or date
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]