Description: Published: Lebanon, N.H. : University Press of New England, c2009. Inscription to Nina Gormley, Museum Director, by the author on half title page.
Description: Miniature; carved figure of bearded man with blue plaid scarf, white shirt, brown coat and trousers, wearing sou'wester; carved and painted detail, attached to square bottom base. Marked "by W.H. Gilley" on underside.
Description: Miniature; carved figure of bearded man with pipe, wearing hat, red patterned scarf, light blue shirt, dark blue trousers, high block boots; attached to rectangular wooden base. Marked "by W.H. Gilley" on underside.
Description: Wendell Gilley is a name well known among carvers and carving collectors. Author of The Art of Bird Carving: A Guide to a Fascinating Hobby, one of the earliest instructional books on the subject, Gilley was a pioneer in the field of decorative bird carving. By his estimate, he created “ten thousand birds of pine and paint” between 1931 and 1983. (Gilley also loved alliteration; it should be noted that most of his carvings were made of basswood.) [show more]
Description: Addie Gilley’s created an outstanding collection of her husband’s work. The carvings that Addie so wisely saved over the years became the core of the Museum’s permanent collection. Wendell and Addie were the guests of honor at the opening of the Gilley Museum on July 12, 1981. They remained active in the museum until their deaths a few months apart in 1983.
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "DMF, Wendell Gilley, NWCA Meeting Herkimer, N.Y. May 1967, examining carvings by Erwin Caldwell".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "Helen Lay Strong - died June 13, 1995, Ed Gallenstein - President National Woodcarvers Association, Wendell Gilley, NWCA Herkimer Meeting, May 1967".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "'Captain' Ed Moore, Wendell L. [sic] Gilley, Woodcarvers Meeting, Herkimer, N.Y. May 1967"
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "N.Y.S. Wood carvers Convention Herkimer - May 1967 " ; stamped: "Carlyle W. Kennedy."
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]
Description: Wendell Gilley seated in his workshop next to a window with miniature carvings on windowsill. "Credit: Roche, Caldwell N.J." stamped on reverse.
Description: The published version of this draft appeared with the title "A Visit with Wendell Gilley, A Legend in the Carving World" in the National Carver's Museum publication, The Mallet. The author indicates that in Nov. 1979 Wendell told him about the planned building of the Wendell Gilley Museum.
Description: Artist-in-Residence Steven Valleau at work on one of a series of panels for the outside of the museum building marking the museum's fifteenth anniversary.
Description: Wendell Gilley standing next to a life size great horned owl carving. Also shown are carvings of a Canada goose, woodcock, and an unpainted pair of cormorants.
Description: Wendell Gilley, holding a carving of a ruffed grouse, with Steven Rockefeller. On reverse side of photograph: "Wendell Gilley in his S.W. Harbor Studio"
Description: Polaroid photograph of Wendell Gilley standing in his workshop. In front of him is a table holding a saw. Behind him to his right is a carving of a Canada goose.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Distinguished achievement award recognizing Wendell Gilley's accomplishments presented posthumously at University of Maine at Orono commencement exercises on May 14, 1983.
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: Article from Audubon Adventures, volume 2, number 4 (February/March 1986). Matthew Beal and Stephen Brooks are interviewed about learning to carve at the Wendell Gilley Museum with museum artist Steven Valleau.
Description: Wendell Gilley Museum Director Nina Gormley and members of the museum's board of trustees standing in front of the museum with Whooping Cranes by Walter Matia, 1990.
Description: This article, titled "Capt. Black: Artist and Surgeon", describes Wendell Gilley's influence on sculptor Paul Black. It also mentions Gilley's Canada goose carved for Harry S. Truman.
Description: Lists Wendell Gilley as one of America's top craftsmen exhibiting at the Kent County Chapter of the Maryland Ornithological Society show of waterfowl and upland game bird carvings in Nov. 1965. Other carvers exhibiting included Harold Haertel.
Description: Wendell Gilley exhibits forty carvings plus carvings-in-progress at the Philadelphia Academy of Natural Sciences in the show "Down East Bird Carvings."
Description: Announcement that Wendell Gilley would be attending a bird carving exhibition in Chestertown, Maryland. The carving of a bald eagle family that he entered in the exhibit is depicted.
Description: Article from the Evening Telegram (Herkimer, N.Y.), May 17, 1967. Wendell Gilley was the featured speaker at the National Woodcarvers Association's New York chapter's second annual meeting, according to the article, which gives biographical and professional information about him.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Wendell Gilley standing in front of garage holding two carvings, an eagle and his first carving, a mallard made in 1930. On back of photo: "Wendell, Gilley, summer 1971, taken by Diane L. Kelly, his 1st & present bird in progress."
Description: Catalog of an exhibition of Wendell Gilley's bird carvings held at the Academy of Natural Sciences of Philadelphia from October 29, 1976 through January 9, 1977